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2025 Michael Nelson Book Prize, The International Association for Media and History
2025 Broadcast Education Association Book Award
Research Interests
broadcast history, media and cultural studies, audience and fan studies, media industries and labor, gender and sexuality
Publications
Books:
Bootlegging the Airwaves: Alternative Histories of Radio & Television Distribution, University of Illinois Press.
“The Golden Girls Drag Show is Coming to Your Hometown: Queering Television History for a Multicast Audience,” in The Golden Girls: Essays from the Lanai, edited by Taylor Cole Miller & Alfred L. Martin, Jr., Rutgers University Press.
“Roku: Vertically Integrated Television Hub,” co-written with Ramon Labato, in From Networks to Netflix: A Guide to Changing Channels, 2nd Edition, edited by Derek Johnson, Routledge.
Articles:
“Retailing Radio: The Industrial Afterlife of Classic Radio Recordings,” Resonance: The Journal of Sound and Culture, 6(1), 64 – 79.
“Maintaining Transmission: DirecTV’s Work-at-Home Technical Support, Virtual Surveillance, and the Gendered Domestication of Distributive Labor,” Television & New Media, 22(6), 633 – 653.
“Capturing Flow: The Growth of the Old-Time-Radio Collecting Culture in the United States during the 1970s,” The Journal of Cinema & Media Studies, 59(3), 46 – 68.
“The Golden Girls Live: Residual Television Texts, Participatory Culture and Queering TV Heritage Through Drag,” Feminist Media Studies, 16(5), 838-851.
“Reconfiguring Radio Drama After Television: The Historical Significance of Theater 5, Earplay and CBS Radio Mystery Theater as Post-Network Radio Drama,” TheHistorical Journal Of Film, Radio And Television, 36(4), 649-667.
“This American Franchise: This American Life, Public Media Franchising and the Cultural Work Of Legitimating Economic Hybridity,” Media, Culture And Society, 38(3), 450 – 461.
“Podcasting And Its Apps: Software, Sound And The Interfaces Of Digital Audio.” The Journal of Radio & Audio Media, 22(2). Co-authored with Jeremy Morris.
“Fracturing Tina Fey: A Critical Analysis Of Postfeminist Television Comedy Stardom.” Communication Review, 15(3), 232-251.